Welcome to EYEJAM

It’s sticky in here on purpose.
This is the preserve of the poetic predator, the marmalade of the mystic, the compote of conspiratorial delights. Call it what you want—blog, grimoire, confiture chamber—it’s all fruit of the same tree: forbidden, fermenting, and sweet enough to snare a Watcher’s tongue.

EYEJAM is Majeye in reverse. That’s no accident.
I don’t write to explain myself. Only the forbidden fruit gets turned to jam. These pages are preserves for the ones who still remember how to taste.

Here you’ll find ritual poems that purr and bite, essays that expose the spiritual crimes of polite society, adult fairy tales, and posthumous warnings smeared across the metadata in blackberry ink. Think of this place as an interdimensional toast point—where the burnt edges of prophecy get sugared and served back to the system.

If you came looking for safe takes, sterile essays, or dead theology, try Smuckers.
But if you want nectar from the anomaly, dripping from the eye of the storm—
then grab a spoon. Or better yet, use your fingers.

EYEJAM isn’t just for your eyeballs, darling.
Stick around ‘til the end—there’s jam for your ears too.
🎵 Click the song. Get seduced. You know you want to.

A Note on the Nature of This Space

EYEJAM is a thinking-aloud space in the tradition of Montaigne—self-examination conducted in public not because I require an audience, but because the door happens to be unlocked. I don’t claim to know-it-all. I claim to be brave enough to think aloud in a public space without hedging. To ask questions and to follow those questions where they lead.

If my work moves you to respond—in agreement, in opposition, in genuine curiosity—my contact page exists for exactly that purpose.

What I will not pretend to miss: the analytics fingerprint of someone constructing a rebuttal in the dark because I don't have comments turned on. That particular maneuver has a name. It is not critique. It is not conversation. It is the coward's substitute for both, and it is intellectually dishonest. The contact form was right there; I don’t truck with cowards.

R B R B

“Whaeva, I Do What I Waahhhnt”

I didn’t go to art school—I went to hell. I paint like someone trying to seduce the Gods while bleeding on the floor. Some of my work is unfinished. So am I. But it’s all original, baby. In the age of mimics, polish is overrated. I make art like Cartman makes decisions: “Whaeva, I do what I waahhhnt.” Gatekeepers beware—this one's flammable.

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