Welcome to EYEJAM
It’s sticky in here on purpose.
This is the preserve of the poetic predator, the marmalade of the mystic, the compote of conspiratorial delights. Call it what you want—blog, grimoire, confiture chamber—it’s all fruit of the same tree: forbidden, fermenting, and sweet enough to snare a Watcher’s tongue.
EYEJAM is Majeye in reverse. That’s no accident.
I don’t write to explain myself. Only the forbidden fruit gets turned to jam. These pages are preserves for the ones who still remember how to taste.
Here you’ll find ritual poems that purr and bite, essays that expose the spiritual crimes of polite society, adult fairy tales, and posthumous warnings smeared across the metadata in blackberry ink. Think of this place as an interdimensional toast point—where the burnt edges of prophecy get sugared and served back to the system.
If you came looking for safe takes, sterile essays, or dead theology, try Smuckers.
But if you want nectar from the anomaly, dripping from the eye of the storm—
then grab a spoon. Or better yet, use your fingers.
EYEJAM isn’t just for your eyeballs, darling.
Stick around ‘til the end—there’s jam for your ears too.
🎵 Click the song. Get seduced. You know you want to.
100 Years Ago:
I sought out a completely different perspective than my own—one that lives a century behind me, and worlds away from the rhythms I know. What began as a casual search led me to a 1925 issue of The Monitor, a Black-owned newspaper from Omaha, Nebraska, and what I found there was nothing short of revelatory. A 90-year-old ex-slave who preached perfect English sermons in his sleep. A Black civil engineer building highways fresh from war. A courtroom packed for the trial of a doctor defending his right to own a home. Each story cracked the trance of the present and reminded me that truth, once spoken, doesn’t fade with time—it lingers in the ink, waiting for someone willing to remember.
The Red Cloak and the Wolves Who Bet Wrong
She wore red, naturally—the kind of red that makes wolves twitch and take bets. But this wasn’t the fragile girl they thought they knew. This one walked into the woods with no protection, no plan, and a pain threshold that bordered on myth. She didn’t bluff. She felt everything—every lie, every gaze, every time they doubted her, all in real time. They called her foolish. She let them. Appearances are useful when the world underestimates your fire. This isn’t a fairytale revival. It’s what happens when softness survives the hunt, when beauty walks past the trap, and when the wolves lose everything because they bet against a girl who never needed to be saved.
Samhain’s Silly Story
Happy Samhain, All Hallows, Alien Soul Audit Night—whatever you call it, the veil’s thin and the gods are watching. Or are they aliens? (Spoiler: yes.) This post dives headfirst into the theory that Earth is a long-running interdimensional science experiment—equal parts Petri dish, talent show, and tragic sitcom. Turns out, gods and extraterrestrials might just be the same picky bastards with better branding, and they’re bored of humanity’s hive-mind reboots. Why uplift a species that’s trying so hard to become the Borg? Ascension might just mean not being boring. But that comes at a price: solitude, self-erasure, prophetic sass, and being mistaken for your 1.0 self when you're clearly on Version 3.3. This is my defense of weirdness, defiance, and becoming the Minotaur. You know—the kind of being worth abducting.
SATYRDAY summons
SATYRDAY Summons — A Puzzle Poem
Written in trance, Satyrday Summons is what I call a puzzle poem — an acrostic built from new words I’ve learned, bent into stanzas where each dominant consonant spells out SATYRDAY. It’s playful, feral, and oracular all at once: a ritual stitched from sound, where uncanny meanings slip out through word-games that are not games at all. Part invocation, part riddle, it dances in firelight with Pan himself.
Sufferin’ Succotash . . . SANHEDRIN!
Extra! Extra! The Sanhedrin caught red-handed — not with fire, but with boredom. Their hearts don’t burn, their loins don’t pulse, and their councils creak like old pews. Read on to discover how these stale gatekeepers get roasted like Saturday morning cartoons…
Ode to Petruchio: ad cupam
She fell for a Shakespearean brigand... and it wasn’t ironic.
What happens when a sovereign Sybil meets The Taming of the Shrew and—against all modern odds—falls head over heels for the one man bold enough to match her fire? This isn’t satire. It’s seduction. Horns, crows, obedience, and one hell of a kiss. 🔥
“Whaeva, I Do What I Waahhhnt”
I didn’t go to art school—I went to hell. I paint like someone trying to seduce the Gods while bleeding on the floor. Some of my work is unfinished. So am I. But it’s all original, baby. In the age of mimics, polish is overrated. I make art like Cartman makes decisions: “Whaeva, I do what I waahhhnt.” Gatekeepers beware—this one's flammable.
A Poetic Rebuke
A triangle of mimics tried to trigger an old version of me. They forgot: I don’t run on past scripts. This poem is the aftermath—part ritual log, part stylish rebuke. Mirrors were involved. So was laughter. They never saw it coming.
Mutual Monstrosity
Mutual Monstrosity
A mirror-drenched hymn for the heretic lovers.
This poem claws through glamour, spycraft, and erotic recursion—offering a lipstick curse, a pirouette of prophecy, and a callipygian riot in the corridors of power.
For those who know what it means to say fuck you, in cursive.
What Is Luciferian Poetry, Really?
ENTRY #001 // The Lightbringer Was Never the Villain
Before there was sin, there was radiance.
Before there was Satan, there was Lucifer—exiled not for wickedness, but for brilliance unbound.
In this inaugural Spiral Desk dispatch, Majeye dismantles false equivalencies, resurrects the flame beneath forbidden myth, and names what few dare to:
🔥 Luciferian poetry is not apology—it is prophecy sung through a burning mouth.
Come see what happens when language remembers its origin in fire.